by Neal Whitman

I lay awake cold.
My left thumb rests on my chin
below chestnut moon.

Neal Whitman is a member of the Yuki Teikei Haiku Society of San Jose and the Haiku Poets of Northern California. Though contemporaries vary the syllable count, he likes to stick to the traditional Japanese 5-7-5 structure.

Kingyo are Japanese words associated with each of the five seasons (New Years is considered its own season). In English, we call these words “kigo.” One autumn kigo is “chestnut moon.” The moon, not quite full, holds particular beauty.

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by Martha Christina

Memorial Day

Two starlings
glide from my roof
to my neighbors’.
The sudden breeze
of their wings
just enough
to stir the flag.

Shaking Hands

grasp, clasp,
tentative press,
the faintest whisper
of cuff to skin.
Hello, the mouth says,
I’m so glad
to meet you.
But the eyes say
Not here, not now.

Early October

The maple, still lush
with green leaves,
sways toward the house,
sways away. That quickly,
quicker, death and life
trade places.

Neighbors bear
their offerings
of casseroles and cakes,
under a sky so blue,
it wounds.

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by Kristine Remick

The storm driven darkness pulled shadow onto surfaces where the contrasts turned them to art. Ordinary things cast spectral gray shapes on the luncheonette’s friction worn Formica and scratched country patterns. Salt. Pepper. Chrome napkin holder. Thunder rattled the diner as the storm built outside.

“What if I did?”

The hooded woman with her long dark sweater coat shrugged at her acrylic paint stained companion.

“What if you did? It wouldn’t be the end of the world – might even be the beginning of one?”

She sipped her dark roast coffee delicately from the plain porcelain cup, refusing to elaborate further. Her companion leaned back drawing a sinewy hand through chic sweaty brown hair. His expression was one of puzzled irritation; a study in artistic suffering.

“I could ruin everything, I could show everyone that I am not worth what I charge. As if what I do, can be had for free if you’re willing to plead.”

The woman turned her shadowed face only slightly toward the artist, pausing before taking another sip of coffee, “Then don’t make them plead.”

Thunder rolled and there was a flash of lightning that gave the scene a sudden strobe photo effect.

“Are you saying I should volunteer one of my works without being asked?” He sighed, leaning on the backrest of red swivel stool, “If it’s so important why don’t the people who would buy from the auctions, give their money without it. They have more to give than I do.”

Although most of the woman’s face was in the darkness of her damp hood, the tilt of her head implied one eyebrow had risen, “Do they?” Her slender form and full lips hinted at a sultry young woman, but her voice was full of distant unanswered mystery. The people with money have one thing to give. Art, on the other hand, can give so much more.”

Lightning flashed twice and the thunder on its heels shattered the quiet conversation. She was a model of calm decorum and composure, while he sprawled, uncomfortable in his own skin.

“Why me?”

“Why not you?”

“It could ruin my reputation as a salable artist.”

“It could make your reputation as a kind human being.”

“There are so many good causes to contribute to, why this one?”

“There are so many good causes to contribute to, why not start with this one?”

“I wouldn’t be making a dent in the problem.”

“It would be better to give up on a cause rather than giving a little? What are you really afraid of?”

“Who says I’m afraid?”

“I just did. So what are you afraid of?”

The young man shrugged and looked out at the fading storm as the extreme bass grumble of thunder vibrated across his skin. “I don’t know. What if people don’t like my work and won’t buy it? What if people look at what I do and compare it to the major artists who contribute to the cause? What if I’m just wasting my time by contributing something for this problem that is so huge I can’t fathom the amount of help those on the front lines must need?”

She paused at the jumble of questions and took another sip of warm coffee, “ ‘what will people think? What if people compare? What if I waste my time?’ – then you follow these questions with the idea that the problem is so huge it is unfathomable” She turned to him, her face still in shadow, “do you see how small and petty your fears are next to the realization of the full extent of the problem?”

She turned back to face the pastry coolers behind the lunch counter, “Here is a question that should cause you some consternation. What if everybody like you does nothing, no one contributes, and those on the front lines don’t even get the help that the many people like you would have given because they are too self involved to even give a little? You give because it is the right thing to do. You give to show that you are aware that someone is fighting on the front lines. You give what you can, and when possible, the best of yourself, for the worst of the problems.” She fell silent as lightning flashed in the distance. “Not everyone will, but everyone should.”

He fidgeted uncomfortably and tried to change the subject that he, himself had initiated.

“What kind of name is Miss Nina Peach?”

“It suits me …for now.”

Opus at Fifty

May 11, 2012

By Joseph Milosch

I dreamed I was running
in a field with a girl
dressed in light shorts.
Her tanned legs flickered
and our feet flashed faster
than echoes of falling footsteps
as flies became fireworks,
imitating centuries of supernovas.

I dreamed we were running
in a field
without any flowers
or clover blossoms.
We ran on grass
Kentucky Blue Grass.

We ran through a field of line dancers.
They wore white tennis shoes
like Billy “White Shoes” Johnson.
The people laughed silently;
their teeth became fireflies
as their head bobbed to the beat.

Running through a field
and between people line dancing,
my hand lightly brushed
the backside of a brunette woman.
It was an accident. Somewhere
a rainbow leaped to hear darkness fall.

I dreamed I was running with a girl
through people line dancing in a field.
There was silence. It was early evening,
later than dusk.
The wind threw the fragrance
of millet and poppy.

I dreamed I was running on my toes
I stepped lightly like I was seventeen.
The air blew in my hair.

In my hair!

Revision

May 11, 2012 § Paul Hostovsky

by Paul Hostovsky

There used to be
a live chicken
in this poem,

there was a glacier
and a sailboat,
the Pacific Ocean

sloshing between stanzas,
and me like Adam
saying, Here am I,

to God who was also
near.

by Michael Constantine McConnell

Dog-bard, a wall arose. Soon, a red, nude man-era stole Gail of deli, and, lo, my tit-net carts bade, trap millions’ parts, but a snag rose many fits, and I’d reward no cabs. Eve[n] Eve’s bacon drawer did nastify names, organs, a tub, straps. No ill-imparted, abstract-entity mold nailed foliage. Lots are named under a noose’s oral law – a drab god.

66(words)/259(letters)

by Paul Hostovsky

Wordsworth was a wanker

I am writing
on the bathroom wall

at the summer writers’ conference
where all of the poets are sitting around
in their little tranquil groups

circle jerking
in my imagination: the blue-
haired lady with her notebook spilling

in her lap, the English teacher with his muscular
sensibility, the diffident housewife, musty
pastor, gay accountant, haiku bicyclist and me

all squirming and sighing with the pleasures
of words
and the spontaneous

overflows
of powerful feeling
emanating

from what we recollect
or maybe
make up as we go along.

by Martha Christina

We’re in water
up to our armpits
and I’m afraid
of going under.
But when you
put your hand
on the small
of my back,
what can I do
but float?

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by Neal Whitman, Poetry Prof

Last month we celebrated April Fools’ Day with a tribute to the “Ern Malley” hoax. To recap: two poets, James McAuley and Harold Stewart, published poems they concocted under the name of Ern Malley. I learned of this gag when I decided to fill in a gap in my home library with a copy of The Penguin Book of Australian Poetry edited by John Tranter and Philip Mead. There I found the Ern Malley poems which the two editors placed right after the poems of James McAuley – there are no poems by Harold Stewart. I find interesting that McAuley and Malley are each given 15 pages in this anthology. Why include the bogus poems, written as gibberish, at all? Tranter and Mead explain:

The inclusion of all the ‘Ern Malley’ poems may at first appear a controversial one; the hoax poems of this collaborative persona have never been anthologized in any substantial way. But it should become apparent how important they are, not as literary curiosities, but as an important work in their own right with an influential role in the poetic ferment of the 1940s …

Huh?

James Mcauley died in 1976, but Harold Stewart was still living in 1991 (he died in 1995) when this Penguin anthology was published. So, I wonder how Stewart felt when he saw that none of his poems appear there and what he thought of the editors’ comment:

… the enigmas and paradoxes (of Malley’s poems) still captivate new generations of readers in a way that McAuley’s or Harold Stewart’s other work seem less able to do.

Ouch!

So, I wondered what became of these two poets.

Re: McAuley

James McAuley spent some time in New Guinea which he regarded as his second “spiritual home,” and, at time of his death at age 59, was teaching at the University of Tasmania. A brief geography lesson:

The island of New Guinea is separated from Australia by the Torres Straits. Its Western half was a Dutch colony and now is part of Indonesia; the Eastern half was governed by Australia and now is an independent state.

Tasmania is an Australian island and state 150 miles south of the continent and is dubbed by some, “island of inspiration.”

One literary achievement of note followed his conversion from the Anglican Church to Roman Catholicism when he collaborated with a musician, Richard Connolly, and produced the most significant collection of Australian Catholic hymnody to date, “Hymns for the Year of Grace.”

Re: Stewart

He found his footing in Japan where he studied Buddhism and haiku – he moved there permanently in 1966. When I read this on the Internet, I got that “a-ha” moment and went to my bookshelf. Oh, that Harold Stewart. Not long ago I found in a used bookshop, A Net of Fireflies. It is a 1960 collection of haiku translated by … Harold Stewart! I bought the book because of its curious approach to translating haiku: Stewart uses titles and renders each haiku as a rhymed couplet. I will spare you his lengthy justification. I am not a fan, but could not resist this odd book. Let me leave you with two versions of my favorite Basho haiku. Let you be the judge.

on a bare branch

a crow settled down

autumn evening

   translated by Jane Reichhold

The End of Autumn

Autumn evening: on a withered bough

a solitary crow is sitting now.

   translated by Harold Stewart

The Gust of Wind

April 30, 2012

by JosephMilosch

Spring rose clean as birches
during my last leap year home.
For the past ten years, I spent winter
afternoons on this lake. Soon I’d
be the first to graduate, but this evening
I skated with my hockey stick and some
primitive rhythm composed for blade
and tin. I shot the puck, an old tuna can,
away from the bridge’s thin ice. Landing
on edge it rolled, skirting the shore’s marshes.

My blades cut into ice, and speed
was skate-plowed snow dusting my feet.
Catching my puck, I drew a bead
on the pile of ice a fisherman made
to mark his site.

Slapping my stick against the ice, I whirled,
and my breathing followed the customs of its being.
I knew little about manhood coming as quick as spring,
or how to interpret these signs: chuckholes rimmed
with mud, icicles hung on Thunder Bridge;
a dog’s nose tight to the ground on an island beach.

Maybe, they were designed to mean little
because nothing happened. The wind continued
to lie between winter and spring. As I skated,
I thought about how good it was that the islands –
like the ice — were full of cracking sounds.

Removing my cap, I raced the darkness.
On the bank I paused to catch my breath
before sprinting on the tips of my blades
to the basement. As I entered the house,
nothing could contain the joy of my youth;
except, the gust of wind, blowing mist
off the snow, capped fence.

by Neal Whitman

Autumn is a time to harvest pumpkins. How about a U.S. harvest of 1.5 billion pounds! Two hours north of me up California’s Highway One is a lovely coastal town, Half Moon Bay, home to the World Pumpkin Festival — its 40th will be held October 16 – 18. We kick off the season with the Autumn Equinox on September 23, 2:17 a.m. Pacific Time Zone.

rise and shine
black coffee and pumpkin pie
Wagon Wheel Diner

Epigram

April 26, 2012 § George Held

by George Held

Some editors favor what’s adorned
And request me to expand a verse;
Some prefer terse
And want no more.

Click to listen: mp3

by Dretta Grace White

We are betrayed

By the beating
Of our hearts
We are betrayed

By parted lips
And whispered words

We are betrayed

If only we had known
If only we had known

That to birds
Flight
Is also
The bitterness of fleeing

Facere

April 23, 2012 § D. A. Trueman

by D. A. Trueman

In my hat I smell last night-
events that cannot exist,
but
in my hat I smell last night
just inside the brim

by Salvatore Buttaci

Sparrows shivering in February cold
dream of early spring when they
can fly and trill their songs
like thank-you hymns
to their God, and
Delight in the
Warmth of
soft nests,
but for
now
they
shiver.